![]() Evening of the Harvest (1986) was the sound of a mature band and their most realized statement to date, as it fused rock with the band's increasingly nuanced side. ![]() Breaking away from a tight new wave formula and finding a simpatico producer in Ed Stasium, the band created a lush third album simply titled Translator (1985).Īs the decade wore on, they increasingly explored psychedelia, and live shows became three-hour affairs filled with traditional San Francisco rock-style jamming. "Everywhere That I'm Not" was featured on Translator's debut album, Heartbeats and Triggers (415/Columbia, 1982), which was produced by David Kahne and became an underground and college radio hit, though its 1983 follow-up, the Kahne-produced No Time Like Now, didn't fare as well. Formed in Los Angeles in 1979, Translator relocated to San Francisco, where they were signed to Howie Klein's independent label, 415 Records, on the strength of the demo tape they sent to college radio station KUSF the loose and rambling yet laconic "Everywhere That I'm Not" became the band's signature tune. Larry Dekker on bass and Dave Scheff on drums completed the lineup, a constant during the band's initial seven-year run, as well as for their sporadic, post-breakup reunion appearances. Inspired by the Beatles and merging energetic pop with graceful but evocative melodies, the San Francisco-based four-piece Translator featured two singer/songwriter/guitarists (Steve Barton and Bob Darlington) and a sound that spanned Merseybeat and stripped-down rock to psychedelia.
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